Knowing Through Body, Theatrical Practices, and Technological Tools: The Role of Knowledge Ecologies in Teacher Education for the Digital Transition
Parole chiave:
Theatrical Practices, Performative Teaching, Relational and Digital EducationAbstract
In contemporary educational pathways, shaped by digital transformations and processes of hybridization between bodies, technologies, and diverse modes of communication, it becomes necessary to adopt a situated and embodied epistemological paradigm, grounded in emotional and relational dimensions, to rethink the ways in which knowledge takes shape. The pilot study presented is based on the paradigm of ecologies of knowledge and employs an embodied approach to teacher training, exploring the potential of theatrical practices as tools for didactic mediation. The study analyzed the project “Theatre, Teaching, and Pedagogy for Digital Transition in Schools”, aimed at secondary school teachers in the city of Portici (Naples). The training pathway was structured into theoretical and experiential phases, in which theatrical practices were integrated with digital tools to foster pedagogical reflection among the participating teachers. The performed experience developed the teachers’ bodily and relational dimensions and promoted meaningful learning and professional transformation, encouraging reflection on their educational practice and their capacity for interdisciplinary planning. The study employed the Art-Based Research methodology, implemented through the experimental CReAP+T approach, which involved the analysis of both qualitative and quantitative tools. The results of the pilot study highlighted a strengthened awareness among teachers regarding their educational practice, the management of relational and emotional dynamics, verbal and non-verbal communication, and their ability to design inclusive educational environments. The dialogue between theatre, pedagogy, and technology emerges as an innovative perspective for an ecological and embodied redefinition of educational practice.
Riferimenti bibliografici
Barad, K. (2007). Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Durham, NC: Duke University Press.
Barba, E., & Savarese, N. (2011). L'arte segreta dell'attore. Edizioni di Pagina.
Bateson, G. (1972). Steps to an ecology of mind. New York, NY: Ballantine.
Bateson, G. (2000). Verso un’ecologia della mente. Milano: Adelphi.
Benvenuto, G., Stella, D., & Viti, E. (2018). Danzare, riflettere, apprender. Excellence and Innovation in Learning and Teaching, 3(1).
Berthoz, A., & Petit, J.-L. (2006). Phénoménologie et physiologie de l’action. Paris: Odile Jacob.
Biesta, G. J. (2015). Beautiful risk of education. London: Routledge.
Brookfield, S. D. (2017). Becoming a critically reflective teacher. John Wiley & Sons.
Carlomagno, N. (2020). Le potenzialità didattiche delle arti sceniche. Education Sciences and Society, June.
Carlomagno, N. (2022). Pratiche performative teatrali nella formazione di competenze didattiche. Nuova Secondaria.
Carlomagno, N. (2023). I linguaggi non lineari della narrazione e della comunicazione nella scena e nella didattica. Brescia: Scholé-Morcelliana.
Caruana, F., & Borghi, A. (2016). Il cervello in azione. Bologna: Il Mulino.
Capra, F., & Luisi, P. L. (2014). The systems view of life: A unifying vision. Cambridge: Cambridge University Press.
Chevallard, J. (1985). La transposition didactique: Du savoir savant au savoir enseigné. Grenoble: La Pensée Sauvage.
Clark, A., & Chalmers, D., (1998). The extended mind. Analysis, 58(1).
D'Alonzo, L., (2004). La gestione della classe. Modelli di ricerca e implicazioni per la pratica. Brescia: La Scuola.
D’Alonzo, L., & Giaconi, C. (2024). Manuale per l’inclusione.
Damiano, E. (2013). La mediazione didattica. Per una teoria dell’insegnamento. Milano: Franco Angeli.
Dewey, J. (1938). Experience and education. Indianapolis, IN: Kappa Delta Pi.
Dozza, L. (2022). Ecology and education. Formazione & insegnamento, 20(3).
Floridi, L. (2014). The fourth revolution: How the infosphere is reshaping human reality. Oxford: OUP.
Freire, P. (1996). Pedagogia dell’autonomia. Saperi necessari per la pratica educativa. Torino: Edizioni Gruppo Abele.
Frauenfelder, E. (2018). Perché una relazione tra pedagogia e biologia? Sezione RTH Brain Education Cognitive, Napoli.
Gallese, V. (2005). Embodied simulation: From neurons to phenomenal experience. Phenomenology and the Cognitive Sciences, 4(1).
Gallese, V. (2007). Il corpo teatrale: Mimetismo, neuroni specchio, simulazione incarnata. In Culture teatrali. Studi, interventi e scritture sullo spettacolo. Bologna: Edizioni Carattere.
Gallese, V., & Morelli, U. (2011). Il teatro della metafora del mondo e del teatro nella mente. Castiglioncello (PI): 25 Febbraio.
Gallese, V., & Morelli, U. (2024). Cosa significa essere umani? Corpo, cervello e relazione per vivere nel presente. Milano: Raffaello Cortina Editore.
Gallese, V., Fadiga, L., Fogassi, L., & Rizzolatti, G. (1996). Action recognition in the premotor cortex. Brain, 119 (Pt 2).
Goleman, D. (1995). Intelligenza emotiva. London: Bloomsbury.
Grotowski, J. (1965). Vers un Théâtre Pauvre. Losanna: L'Âge d'Homme.
Haraway, D. (2016). Staying with the trouble. Making kin in the Chthulucene. Durham, NC: Duke University Press.
Heckman, J. J., & Kautz, T. (2012). Hard evidence on soft skills. Labour Economics, 19(4).
Ingold, T. Being Alive. (2011). London–New York: Routledge.
Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York, NY: New.
Keiner E., Gross B. (2021). Biblioteche universitarie ed ecologia della conoscenza nell’era della post-verità. In G. Cavrini et alii. Per tutta la vita. Pedagogia come progetto umano. Milano: FrancoAngeli.
Lakoff, G., & Johnson, M. Metaphors We Live By. (1982). Chicago: University of Chicago Press.
Lave, J., & Wenger, E. (1991). Situated learning: Legitimate peripheral participation. Cambridge: Cambridge University Press.
Maturana, H. R., & Varela, F. J. (1980/2001). Autopoiesi e cognizione. La realizzazione del vivente [Trad. it.]. Venezia: Marsilio.
Maturana, H. R., & Varela, F. J. (1991). Autopoiesis and cognition: The realization of the living. Springer.
Menary, R. (Ed.) (2010). The Extended Mind. Cambridge (MA): MIT Press.
Mezirow, J. (2003). Transformative learning as discourse. Journal of Transformative Education, 1(1).
Merleau-Ponty, M. (1945). Phénoménologie de la perception. Paris: Gallimard.
Montessori, M. (2008). Educare alla libertà. Milano: Mondadori Editore.
Morin, E. (2014). La tête bien faite. Repenser la réforme, réformer la pensée. Média Diffusion.
Rheingold, H. (2012). Net smart: How to thrive online. Cambridge, MA: MIT Press.
Rizzolatti, G., Craighero, L. (2004). The mirror neuron system. Annual Review of Neuroscience, 27.
Rizzolatti, G., Fadiga, L., Gallese, V., & Fogassi, L. (1996). Premotor cortex and the recognition of motor actions. Cognitive Brain Research, 3.
Rizzolatti, G., & Sinigaglia, C. (2006). So quel che fai. Il cervello che agisce e i neuroni specchio. Milano: Raffaello Cortina Editore.
Rivoltella, P. C. (2012). Neurodidattica. Milano: Raffaello Cortina Editore.
Rivoltella, P. C. (2020). Nuovi alfabeti. Educazione e culture nella società post-mediale. Brescia: Scholé.
Rivoltella, P. C., & Rossi, P. G. (2017). L’agire didattico. Manuale per l’insegnante. Brescia: La Scuola.
Rivoltella, P. C., Garavaglia, A., Ferrari, S., Carenzio, A., Bricchetto, E., Petti, L., & Triacca, S. (2013). Fare didattica con gli EAS. Episodi di apprendimento situato. Brescia: La Scuola.
Rosa, H. (2019). Resonance: A sociology of our relationship to the world. John Wiley & Sons.
Schechner, R. (2017). Performance studies: An introduction. London: Routledge.
Schön, D. A. (1983/1993). Il professionista riflessivo. Per una nuova epistemologia della pratica professionale. Bari: Dedalo.
Sibilio, M. (2011). Corporeità didattiche: I significati del corpo e del movimento nella ricerca didattica. In Il corpo e il movimento nella ricerca didattica. Indirizzi scientifico-disciplinari e chiavi teorico-argomentative (Vol. 1). Liguori.
Sibilio, M. (2012). La dimensione semplessa nell’agire didattico. In Id. (a cura di), Traiettorie non lineari nella ricerca. Nuovi scenari interdisciplinari. Lecce: Pensa.
Sibilio, M. (2015). Simplex didactics: A non-linear trajectory for research in education. Revue de synthèse, 136(3–4).
Sibilio, M. (2020). L’interazione didattica. Brescia: Scholé-Morcelliana.
Taviani, F. (1997). Passaggi e sottopassaggi. In M. De Marinis (a cura di), Drammaturgia dell’attore. I Quaderni del Battello Ebbro. Porretta Terme.
Turkle, S. (2015). Reclaiming conversation: The power of talk in a digital age. Penguin.
Varela, F. J., Thompson, E., & Rosch, E. (2017). The embodied mind: Cognitive science and human experience. Cambridge, MA: MIT Press.
Wilson, R. A. (2004). Boundaries of the Mind: The Individual in the Fragile Sciences: Cognition. Cambridge (UK): Cambridge University Press.
Vygotsky, L. S. (1978). Mind in society: The development of higher psychological processes (Vol. 86). Cambridge, MA: Harvard University Press.
Zembylas, M. (2020). Emotional capital and education: Theoretical insights from Bourdieu. In Bourdieu and education. Routledge.
##submission.downloads##
Pubblicato
Come citare
Fascicolo
Sezione
Licenza
Copyright (c) 2025 Nadia Carlomagno, Valeria Vadalà, Arianna Ricciardi

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.